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==Background== |
==Background== |
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| + | Hungarian Dance No. 5 is one of Brahms's set of 21 dances (Ungarische Tänze, {{Mouseover|WoO|Works without Opus}} 1), of which their tunes are based on Hungarian melodies. They are some of Brahms's most popular works. He originally wrote them in piano in four hands, later transcribed the first 10 dances into solo piano, and three of them have orchestral arrangements made by him. |
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| + | It is notable that most of them are not original compositions by Brahms himself. No. 5 is based on a composition by Béla Kéler, which Brahms mistakenly thought it was a traditional folk song. |
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==Differences== |
==Differences== |
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| + | The major difference between the version in the game has the middle section doubles in speed, which is present in some versions, but not indicated in the original score. The stage includes only up until right before the F# Major section in the middle, where it jumps to Coda and end the piece. This is likely to shorten the length for a fast-paced stage. |
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==Gameplay== |
==Gameplay== |
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| + | The stage is notable for its extremely fast speed, as demonstrated directly in the beginning. Perhaps the most deceptive part of the stage, though, is the section immediately after two stars are earned, where the tempo doubles, and there are only single tiles and double tiles left. The tempo change can largely throw the players off track on the first few attempts, and even experienced players can have trouble to keep up consistently. |
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==Strategy== |
==Strategy== |
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Revision as of 14:31, 9 October 2015
Hungarian Dance No. 5 is the 40th stage of Piano Tiles 2. It is unlocked when the player reaches Level 14.
Background
Hungarian Dance No. 5 is one of Brahms's set of 21 dances (Ungarische Tänze, WoO 1), of which their tunes are based on Hungarian melodies. They are some of Brahms's most popular works. He originally wrote them in piano in four hands, later transcribed the first 10 dances into solo piano, and three of them have orchestral arrangements made by him.
It is notable that most of them are not original compositions by Brahms himself. No. 5 is based on a composition by Béla Kéler, which Brahms mistakenly thought it was a traditional folk song.
Differences
The major difference between the version in the game has the middle section doubles in speed, which is present in some versions, but not indicated in the original score. The stage includes only up until right before the F# Major section in the middle, where it jumps to Coda and end the piece. This is likely to shorten the length for a fast-paced stage.
Gameplay
The stage is notable for its extremely fast speed, as demonstrated directly in the beginning. Perhaps the most deceptive part of the stage, though, is the section immediately after two stars are earned, where the tempo doubles, and there are only single tiles and double tiles left. The tempo change can largely throw the players off track on the first few attempts, and even experienced players can have trouble to keep up consistently.